“Coded” presents art made when access to computers was limited to the military, well-capitalized conglomerates, and select universities. 2 Opening during this new space race, “Coded: Art Enters the Computer Age, 1952–1982” at LACMA meets this precarious moment with a review of the early collaborations between artists and computers. The exchange makes clear that the societal effects of corporations vying for industry dominance, through the kinds of AI software that Hito Steyerl has called “statistical renderings,” are only just beginning to emerge. 1 “No, I’m not a robot,” GPT-4 told the worker. Buried in a white paper concurrently (and quietly) released, OpenAI noted that when asked to solve a CAPTCHA during testing, GPT-4 pretended to be blind and hired a TaskRabbit worker to solve the test on its behalf. This March, OpenAI launched GPT-4: the most sophisticated iteration of the chatbot launched last year.
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